Whether you’re a beginner looking for your first amp or you’ve been playing the ol’ six-string for a while, there’s a nice selection of amplifiers that can beef up your acoustic’s voice anytime you’re struggling to be heard.
We’ve taken a closer look at the best acoustic guitar amps you can find under $200 to help you boost your guitar’s signal without boosting your debt.
In this post, we take a close look at these acoustic guitar amps:
- 40 Watt amplifier specifically designed for Acoustic…
- 6″ speaker with “Whizzer” cone for added clarity
- Built-in Chorus effect for added shimmer and depth
- Convenient dual front-panel inputs for both microphone…
- 1- year Warranty Included
- 1 x 6.5″ speaker
- High impedance instrument (Jack) & microphone (balanced…
- 3-band EQ (Bass/Middle/Treble) + separate Parametric…
- Volume & Gain controls
- Headphone input – Stereo jack input for CD/MP3 player
- 【3 Channel】It is able to plug in 3 different…
- 【40 Watt】It has enough power for your needs, able…
- 【Bluetooth】Provide with options of wireless…
- 【Rechargeable】It can run up to 5-8 hours depends on…
- 【Portable】15*14*13 inches midsize and 16 lbs allow…
- 15 hours of use with six AA alkaline batteries (Best…
- Five-watt (2.5+2.5) stereo amplifier for acoustic…
- Simple, intuitive controls
- Country of Origin: China
- Includes FREE Cubase AI music production software from…
Every one of these acoustic amps is here based on extensive research and 27+ years of experience on our team.
Let’s first look at these fine amplifiers, and at the end of the post, you can find the FAQ section that helps you to make the best choice possible.
Use the table of content to jump to the section you want:
Best Acoustic Guitar Amps Under
Best Overall – Fender Acoustasonic 40
Fender’s Acoustasonic blends power and clarity together for a real winner of an acoustic amp.
Packaged in a vintage-looking cabinet are two 6.5-inch Fender speakers. These are each topped with these things called “whizzer cones”, which boost your guitar’s high frequencies for a crystal-clear treble response.
You’ve got full control over your tone with 3-band EQ so you can cue up or key down whatever frequencies you need.
In line with the quality we expect from Fender, the Acoustasonic 40 is a great sounding amp for the price.
Hear how this amp sounds:
This amp has a lot of good going for it.
Not only does it sound good, but it’s pretty powerful too. At 40 watts, you can easily fill venues like coffee shops and pubs.
It’s a great choice for playing out in smaller venues, especially those short on their own PA system. With a separate channel for a microphone, the Acoustasonic is about all you need to let your songs be heard.
Maybe my favorite thing about this amp is that it’s got separate EQ and effects controls for each channel.
This is a rare feature in amps under $200 that lets you tweak the tone of your voice and guitar separately, adding reverb, bass, etc. as you see fit.
Better yet? Every change is easy to make using the controls on the classic Fender interface.
- Quality sound from dual Fender speakers + whizzer cones
- 2-channels with independent EQ and effects controls
- Balanced XLR output for connecting to a PA system
- Build quality is a little bit inconsistent
If you’re looking for the best acoustic guitar amp $200 can buy, the Fender Acoustasonic 40 is likely your best choice.
It’s clean and snappy sounding with just enough versatility to carry itself from the bedroom to the bar.
Based on sound alone, the Stagg 20 AA R USA 20 Watt RMS Acoustic Guitar Amplifier is a strong contender for the number one spot.
Although at 20 watts it’s just barely loud enough for laid back open mics, the quality of this amp’s voice is a marvel in this price range.
It’s a really gorgeous sounding amp that boosts the best of your acoustic’s tone.
Whether you want to play mellow jazz, rocking blues, or elegant classical, the highly responsive EQ controls can shape your sound to suit any acoustic genre.
Hear how this amp sounds:
The Stagg 20 AA is outfitted with all the best basics of acoustic amplifiers, like EQ, an AUX jack, and a headphone jack.
It’s also got a secondary input for your microphone and real spring reverb instead of the more-common digital!
Then, it’s got a couple of unique tone-shaping features I want to talk about.
The first of these is the Active/Passive switch. This is made to accommodate guitars that either have or don’t have battery-powered pickups.
Using the amp in Passive mode with an Active guitar and vice versa won’t hurt anything, and you might find it can lead to some interesting tones if you tweak things just right.
My favorite feature is the Parametric Mid control. This is a step-up from your basic 3-band EQ.
With the Para Mid, you first use the Mid knob to choose what frequency you want to change, and then the Para Mid knob cuts or boosts that frequency.
This gives you exponentially more options for dialing into your ideal acoustic sound.
- Real spring reverb
- Sensitive EQ controls for honing in your levels
- Punchy 8-inch speaker with coaxial tweeter
- Microphone channel has no EQ
If only the Stagg 20 AA had independent tone controls for its microphone channel, it would be my top-rated acoustic amplifier today.
Its sound is so sweet, any crowd you play for is sure to love it. Just make sure you’re backed up by a PA for those larger venues because—sweet as they may be—Stagg’s 20 watts aren’t going to rattle any windows.
Best for Street Performers – Vangoa Acoustic Guitar Amplifier, 40
The Vangoa Acoustic Guitar Amplifier 40 is a powerful, portable amp.
With a rechargeable battery pushing out 40 watts, you can park this amp on the street corner to busk your music to the world.
I can’t necessarily say whether or not it would beat out the din of Times Square, but it sure would help.
However, power’s not everything, and I think the overall sound of the Vangoa is a bit flatter than I would like to listen to on a regular basis. Seeming to always sound far away, this is an amp I have a hard time connecting with on a “vibe” level.
Hear how this amp sounds:
What it lacks in sonic shape, I’d say it makes up for in features.
Bluetooth, DI, USB, and AUX connectivity give you a wide range of ways to record, playback, or jam along with backing tracks.
Since it’s rechargeable, you really can take this amp just about anywhere you want. That Bluetooth feature coupled with this makes it out to be a pretty nice party speaker even without the guitar.
It lasts about 5 to 8 hours on a full charge, so you get about a day’s worth of music without having to plug back in.
From your room to the street and on up to small venues, the Vangoa 40 is a useful speaker.
It can be a little confusing at first learning how to change modes when you want to hook it up, say, via Bluetooth rather than USB. But once you understand how the Mode button works, this should be no problem.
Personally, I might wish for its controls to be a little more difficult if it meant I could have EQ for the non-instrument channels, but for now, I’ll have to settle for the factory presets.
- 3 channels and inputs for multi-instrumental performances
- Runs for up to 8 hours on a rechargeable battery
- Multiple ways to connect to other devices
- Sound quality is muffled and boxy
- Can stop working after a few months
Vangoa’s Acoustic Guitar Amplifier 40 is an amp I would have loved to have when I did more street performing. Its loud, reverb-optional voice with and additional inputs would have probably helped me earn a lot more than I ever did unplugged.
Nowadays, I wouldn’t say this is the amp for me, but if you’re looking to get a-buskin’, I’d call this your best choice under $200.
For what it is—5 watts in a mini-sized package—Roland’s MOBILE-AC Portable Battery Powered Acoustic Guitar Amplifier is a pretty pleasant-sounding little box.
I would call it a portable speaker, but in fact, it’s fit with 2 speakers, each 4 inches across. And thanks to its special Wide effect, you can play with an immersive stereo experience.
Unlike many amps of similar size, Rolan’s AC avoids sounding tinny or boxy, keeping a full-throated voice in every register.
It might lack 3-band EQ, but there’s enough packed into this small amp that I’d say its Tone knob does the trick.’
Hear how this amp sounds:
Looking at it, you’ll probably be surprised to find out this amp actually has 3 channels and 4 different types of inputs.
There is, of course, the instrument channel for your guitar. But then you also get a mic input and an auxiliary audio channel that can be fed by either a single 1/8″ plug or by the RCA combo cables.
All told, you could play your acoustic and sing over a backing track all at the same time.
For added spice, you can kick on the Chorus or Wide effects with the touch of a button. Then, you can overlay as much Reverb as you like using its own knob.
Though each channel of the Roland AC has its own volume control the effects and tone knobs are universal, so controls are limited but simple.
At max power, you’ll be playing with 5 watts, which honestly isn’t going to get you far from the house.
It’s not loud, but it can definitely boost your tone in-home or help you be heard in a lowkey kind of string ensemble or around a campfire.
The only issue with the MOBILE-AC is that if you’re running every channel at maximum output, sometimes this can simply overload the batteries. Plugged in with the (not included) AC adapter, this shouldn’t be a problem.
- Gets about 15 hours of power from 6 AA batteries
- Dual 4-inch speakers for miniature stereo tone
- Chorus, Reverb, and Wide effects
- Can’t handle multiple instruments at full volume
- Sound quality only OK for performances
The Roland MOBILE-AC is a fun little amp with a surprising number of features and a tone that leaves little to be desired.
If your volume needs don’t exceed those of a noisy household, you should find this amp’s 5 watts all the juice you need to feel the music when you play.
Best for Recording – Yamaha THR5 Mini Acoustic Guitar Amplifier
This is one of my favorite acoustic amps around right now.
The THR5 Mini Acoustic Guitar Amplifier by Yamaha goes several steps beyond the average EQ and effects to give you 5 beautifully designed preset microphone models.
Using their state-of-the-art Virtual Circuit Modeling tech, Yamaha filled the THR5A with true-to-life sounding models that help your guitar sing to its highest standard.
These mic presets range from the soft, warm Nylon to the bluesy, gritty EG Clean and allow you to explore every avenue of acoustic music.
Hear how this amp sounds:
Although it’s only 10 watts, every decibel of volume from the THR5A sounds beautiful. And, great-sounding mics aren’t all its preset with either.
There are also several effects, including Chorus, Compression, and three different types of Reverb.
And just in case the presets don’t quite work for you, you can actually plug this amp into a computer and edit the effects and mic models.
This is done through Yamaha’s THR Editor software, which is one of the two free pieces of software available with this amp.
You also get Cubase AI, a user-friendly recording software that works seamlessly with the THR5A’s USB connection.
Combine this software with the exceptional sound of the THR5, and you’ve got the beginnings of a decent little acoustic home studio.
Editing the effects through software is one of the more advanced features of this amp, so if you’re not great with computers have no fear.
All you need to be able to do to get a great tone from the THR5A is to turn a few knobs. It’s as easy as that to choose among the 5 different mics, the blend settings, and the 6 additional effects.
An AUX input is available for your backing tracks, and a headphone jack is there for times when you want a more private practice.
- Includes Cubase AI recording software
- USB connection for easy home studio use
- Clean sound quality with preset mic emulations
- Low power for a high price
This is all packaged in a cool looking, space-saving cabinet that only weighs 4 pounds. It’s got both plug-in and battery-power options, so the THR5A is ready to go when you are.
Because it’s got a low power rating and a fairly high price, I recommend this amp to those who either are looking more into recording their acoustic or to audiophiles who truly care about the shape of their guitar’s tone.
From all these excellent choices, I’d pick the Roland MOBILE-AC last for my own purposes.
Frankly, I don’t see a lot of point in a 5-watt acoustic amp.
It might be a benefit if you don’t like to play hard, but amps are generally meant to make the instrument louder than it already is. I’m just not sure how well the MOBILE-AC can do that
My favorite is the Fender Acoustasonic 40. It shares features with many of the other amps, but its dedicated controls for each channel set it apart for me.
Really, from home practice to my preferred small-gig style of playing out, the Fender Acoustasonic could do everything I need and is likely the best fit for the average player.
What Makes a Great Acoustic Guitar Amp Under $200?
The $200 price range contains a wide range of different types of amps, and each one has its own perks.
If anything unites them all, it’s that $200 usually gets you an amp that sounds really clean and clear.
Although some models make sacrifices to fidelity for the sake of other features, you can generally expect a crowd-pleasing tone from these amps.
As far as power goes, amps under $200 are all over the place, from 5 to 40+ watts.
This means you’ve got a lot of room to find an amp that meets your volume needs, whether you’re looking for apartment-friendly power or enough drive to hit the stage.
Lastly, you’ll find a handful of different effects in these amps. Acoustic guitars can really benefit from a touch of Reverb or Chorus, and you’ll usually have one or the other in the best acoustic amplifiers.
Do You Need a Special Amp for Acoustic Guitars?
Need and want are two different things here.
You can plug your acoustic into an electric guitar amplifier without any worry of equipment damage. And, if you’re in a pinch, it’s better to use what’s available than to let your songs go unplayed.
But electric guitar amps and acoustic amps are really geared for different types of tone.
In general, an electric amp is going to boost your mids and sound pretty thin until you start to get into high-gain territory.
The problem here is that this hi-gain area is where your acoustic will start to feedback. Rather than rolling out smooth tunes, you’ll be wailing like a cat.
So it’s definitely much better—especially for public performers—to have an amp made for acoustic.
Acoustic amps are factory set with relatively flat EQ and a lot of headroom. This makes your guitar’s natural voice the main thing that’s heard and lets you boost the volume without squealing feedback issues.
How to Pick the Right Acoustic Guitar Amp for You?
So, what’s your main reason for buying an acoustic guitar amp?
For me, I tend to look for ways to get more interesting sounds than six strings alone can provide. I want to dress my acoustic’s voice up with reverb or hook up a pedal for some delay or whatever else I feel like.
If, like me, you mostly want to experiment with effects, most of these amps will be a good choice for you. Although they don’t all come loaded down with modulations, you hook up a multi-effects pedal to them all and change your tone any way you want.
Since your options aren’t limited, you can choose based on price, power, portability, or just overall value to you.
Now, I’ve done my fair share of busking in the past and know sometimes an acoustic can’t compete with the roar of a busy street corner.
For being heard during streetside rush hour jams, you’ll want a portable amp with at least 20 watts of juice.
When it’s time to take your show to the stage, both the quality and power of your tone are equally important, so you’ll need an amp that sings sweet and loud.
How loud your amp needs to be depends mostly on the size of the venue and whether or not they can run you through a PA.
Because many amps under $200 don’t pack a lot of excess power, you’ll be best off sticking to smaller stages when jamming in this category.
In the end, knowing what your main plan for the amp is is the best way to get the best one for you.
- Jamming at home? You can pick any amp in your budget that plays as loud (or quiet) as you need.
- Busy busker? You’ll be well-off with a battery-powered amp with a relatively high power rating.
- Hitting up local gigs? Please the crowd with the best-sounding amp you can buy.
With a couple hundred dollars, you can land yourself all kinds of good acoustic amps.
There are great choices for street performers, amateur and intermediate performers, songwriters, beginners, and onward.
For an affordable way to push your acoustic into new territory or just to bring your old tunes to new light, check out these best acoustic guitar amps under $200.
I wish you all the best and keep rocking!